#but i thought I was really about to die

[romulusthegreat]

For pt. 2 of ✨Nightmares✨

I dreamed about the apocalypse, but viewed from a window, just a dude chilling and then the sun and the moon decide to start fucking world destruction by going out and off faster and faster.

This time I simply accepted that I would've died, but the end of the world never really came, I waited and waited, my family was trying to run away, and I was just resigned.

But it never came.

I woke up and I'm genuinely still curious about what would happen once I die.

[sameboot]

Simon petrikov coping FAIL compilation

[pineapple-frenzy]

Book 2 au: and there was only one bed!! :00

Because of course I just had to do this trope

This is the first and last time they decide to sleep in an inn and they have an unspoken agreement to pretend this never happened

[ricky-mortis]

They're the best of each other!

[robo-writing]

DOFP! Logan trying to dye his grey streak because “it makes him look older” with a girlfriend that threatens to break up with him if he so much as opens the bottle ❤️

The scene before you almost sends you into cardiac arrest—no, it almost sends you to the pearly gates at the mere thought. Questions swarm you, plague your mind with endless why’s and how’s but soon you narrow it down to one definitive question—

“Logan, what the fuck are you doing?”

He stands in front of the mirror, brush in hand, still unsure whether or not he should raise or lower his hand—or rather, if he’s even allowed to make a move at all. “I’m…dyeing my hair?”

You scoff, moving towards him in what feels like a single step. “Yeah, I can see that—why?”

The words are pointed, accusatory. You can see the hint of a smirk rising on his lips before it’s quickly extinguished by the smoldering look you give him. For once, he decides not to be a smartass and give you a straight answer.

“Well, it’s kind of dated, ain’t it?” He sighs, running his fingers where the silver stands against the black. “Makes me look like I’m ancient.”

“That’s because you are ancient,” you retort.

He scoffs, eyes rolling back. “Funny—but I’m serious doll. I don’t want you to look at me and see an old man.”

The thought never crossed your mind that Logan might be self-conscious, confusion written on your face. “Old man?”

“Yes, old man,” he continues. “It’s…a reminder. Like I’m not good enough.”

Your confusion is at an all time high, but he continues anyway. “I know you could probably find someone better—younger, for sure. I just…I don’t know. Just want you to stay, I guess.”

His words ring in your ears, but they take a while to register. The absurdity of it, even the concept of you leaving him…it almost makes you laugh. Almost.

“So, you think I’m gonna leave you just because of a grey streak?”

“That’s the gist of it, yeah.”

You shake your head, pulling the brush from his hands. Your fingers trace his face, the crows feet that line his eyes when they close, the slight wrinkles that form when he leans into your touch with a smile.

“Lo, you are an old man.”

His eyes open, eyebrow raised towards you. “Way to boost my confidence—“

“—Shh,” you interrupt. “I’m not finished.”

Lips pursed, he nods and stays silent as you continue.

“You’re an old man Logan, but you’re also my old man,” you whisper. “I love you for all of you—and everything that comes with you isn’t something I’m willing to part with. You could be as wrinkly and grey as you want and it wouldn’t change a damn thing.”

The change is instant, his face softening as you pour your heart out. The sudden confidence practically glows from him, large hands reaching up to cradle your face. “You really mean that, huh doll?”

A nod. “Every word.”

His eyes dart to the bottle of hair dye, and with a shrug he snatches it from the counter and throws it into the trash. “Guess I won’t need this anymore.”

“Good choice.” You say, walking back into the living room. “Besides, grey looks good on you.”

————————————————————————

“Oh, and Logan?”

“Yes doll?”

“If you ever try a stunt like that again you’ll be sleeping on the couch for a month.”

“….Yes ma’am.”

[cup-o-stars]

Originally I was gonna draw her in my favorite outfits she's worn, but with barely any digging I realized she consistently has the best looks- as well as the most- and it will take way too long to pick through them. So I just drew her.

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[artgletic]

case study of the self-identified god

[deadtiredghost]

Can we make Team Red a thing?

i think they would get along like a house on fire. we need more fanfic of this trio.

^^ how i think they might bond.

[ruporas]

feast (ID in alt)

[fishyfishyfishtimes]

Sometimes I feel like celiac disease doesn't actually count as a disability since it's so easy and stress free compared to deadly allergies, but then I remember that I have to meticulously plan every trip I go to and play 4D chess with uni campus restaurant menus and for a brief moment there was genuine consideration if I should be put on growth hormones because I was so small from not getting enough nutrients

[vvanillavveins]

"I’ve tried spending more time with dad in my dreams and in my art. But he’s- god, he’s impossible. Just give me a straight answer, man. A word, a gesture, a look at your face even. I think he was like this in real life, Cecil. I think his ambiguity, his vagueness, is why mom hated talking about him. He's not enigmatic or magical. He is fucking frustrating. All these cryptic images, but I don’t think there’s much to understand about an absent father."

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[trashydez]

like a phoenix. (2.7k words)

what if phoenix- instead of being virtually indestructible, actually wasnt? what if he was actually incredibly prone to death, but he just… never stayed dead?

(trigger warning for a multitude of causes of deaths!! some in detail and some not. other tw’s include implied suicide attempts, implied child neglect, derealisation and thinking one is already dead. be warned! take care of yourself!)

at 9, he wakes in his bed after having a high fever and his mom ships him off to school hours after it began. he finds it odd, because last he’d checked his temperature (that morning, when he told his mom he felt like he was going to die and his mom had left to go run errands, barely sparing him a glance), his temperature had been at 107 degrees farenheit. that was definitely high, but after he slipped into unconsciousness, writhing and restless and in a lot of pain, he woke up to his mother checking his temperature and saying he was fine to head off to school. he didnt feel fine, but his temperature had gone down significantly enough that his mother felt like he had no excuse not to go. hes glad he went to school though, even as he shivered, sneezed and sniffled, because there he found a friend in a boy with a funny bowtie and a heart made of gold.

he crunches and chokes on glass shards and poison but doesnt die. the doctors dont find anything wrong with him, aside from feeling a bit ill, so he goes back into the courtroom and dollie is convicted of murder. hes happy his roommate is away for some theatre troupe thing, because the sickness eventually catches up to him and he throws up shards of glass, acid and blood. it cuts into his throat and burns his eyes and he swears, he swears he dies right then and there, freezing and shaking and everything hurts. but when he wakes up hours later, the sun having set and the only light source in his dingy dormroom the moon outside, hes amazed to not feel sick anymore. but the puddle of sludge is drying beside his face and he considers himself lucky, or maybe unlucky, because unlike dahlia’s other victims, he actually lives to tell the tale.

phoenix arrives early to the office, having been in the public library nearby reading a book on reincarnation. he enters the office and promptly has his skull caved into his brain. he does not see his assailant, but when he wakes, theres an oddly dressed girl crying, crouched over his boss’ cold body. he doesn’t think about the drying blood in the back of his head, or how cold mia’s body is (and why he can even tell, considering the fact he has not touched her corpse) or the chapter in the book he’d been reading that talked about quantum immortality— all he thinks of is proving maya fey’s innocence.

as it turns out, being constantly anxious and terrified of mortal peril actually has its perks. maybe the fact he’s a lawyer whose only ever dealt with homicide cases definitely wasn’t benefiting his mental wellbeing either. in any case, its that fear of literally everything and constant feeling of impending doom that makes his body react before his mind does. taser! danger! maya! so, he gets tasered. and it fucking HURTS, but he feels more relieved than frightened as the searing pain shoots through him, because he’d been able to push maya away before von karma got to them both. wasnt a symptom of death by electrocution an overwhelming feeling of helplessness and imminent death? maybe he was going crazy. when he comes back though, its to his head in the lap of a crying spirit medium, so maybe a psychotic break isnt too bad if it means everyone else gets to escape with no damage to their own psyche.

its only after she stops screaming in terror- oh my god, nicks a zombie!! kyahh!!!- and nearly beating him with her bulky magatama necklace, that she tells him what she saw. (“like, there was a sudden bright light and then i realised it was coming from you! but when i tried to touch your glowing skin,” she says it like its the most absurd thing she’d ever seen, which really said something considering the fact she was from a family of people who could channelthe dead “it was HOT! like, japanifornia summer hot! blazing! i was only able to check your pulse after you cooled down a bit…”). maybe its this that makes him less alarmed by the way his skin glowed in the dark of his trashed bedroom, after drinking himself to death following a certain phone call from a terribly sad, newly bossless detective. he doesnt think he can bear the taste alcohol ever again, after that.

maybe the number of times he’s died of blunt force trauma to the head should be a cause for concern, even more so when he wakes up without any of his memories. he’s terrified, and doesnt even knows who he is, until he does, and is able to prove maggey byrde innocent. fun times! he should probably watch out to make sure his next death wasn’t to the head, lest he be as mentally impaired as a number of people liked to say he was… (and he should probably also be concerned by the fact he was already thinking of the next time he’d die, but ah well, blame it on the concussion).

as it turns out, getting whipped to death was not on his list of ways he thought he’d die next, but life liked to mess with him like that, it seemed. still, dragging his delirious self to the bathroom of his office to try and save the infected wounds from killing him wasn’t all that fun, and he’s immediately reminded of his first death, slow and painful, alone and scared of what came next. he feels bad for feeling relieved when maya shows up and screams upon seeing the state he and the bathroom (that’d he’d accidentally trashed when his legs gave out after he opened the door, a number of bottles fallen to the floor beside him) were in. he stops her from calling the police- there was no point, he didn’t have much time left. but when she asks what she could do, he goes quiet. (…just… stay here? i dont- he coughs up a distinctly red shade of spit. maya makes a noise between a choked cry and a whatthefuckwhatthefuckwhatthefuck. but phoenix was shivering worse now, and hugs himself tigher. i dont want to die alone.) so she stays with him, on the cold bathroom floor, as his labored breathing eventually slows. when he awakens, he finds maya asleep leaning against him, and promises to get her burgers as a thank you.

who knew death by a monkey throwing a giant bronze bust of max galactica at you could happen? at this point, he’s almost glad he was basically immortal, because there was no way in hell he’d allow his autopsy report to say ‘cause of death: monkey manslaughter’! edgeworth would laugh himself to tears if he saw! not that he could see. or cry, because he was dead. and not coming back. damn.

so edgeworth isnt dead! yippee? he thought it was his thing to get reanimated after death, not edgeworths. when he saw him, standing in the middle of the police department, alive and breathing and very much not dead, he nearly started laughing. he must’ve finally gone insane! curse the amount of times he’d died of brain related injuries, not that he knew how many of them there were at this point. he might actually have laughed a bit, because pearls was looking at him like he was losing it (he was) but he couldnt really bring himself to care as he had more pressing issues at hand, like saving his best friend from a crazy serial killer holding her hostage, and punching his other best friend in the face for faking his own death (because really, dying was his thing! not edgeworths!). and if he pulls edgeworth into a hug immediately after, throwing caution in the wind (you only live once, right?), the warmth- a normal, human temperature, unlike his burning hot when he came back from death- is enough to stabilise his harried mind for just a moment, before he has to return to his guilty client and his hopeless situation.

by some crazy turn of events, he actually doesnt die from having boiling hot coffee thrown at his face. it burns, and maya screams when she sees the boils on his face after that first trial with godot, but after throwing a wet towel over his face and putting him in timeout on the sofa for 12-hours, the burns go away as if they were never there. he fell asleep at some point, and after alot of back and forth debate, they eventually came to the conclusion that 1. his body heat rising to burning levels when he dies must have caused his body has to grow immune to heat and 2. since sleep was like a ‘temporary death’, a ‘temporary wound’ would just heal like it did when he died of normal wounds, right? he didn’t want to dwell on it too much, because maya was looking at him like she wanted to test that theory for real, so he quickly changes topics before things got out of hand.

so their theory on the immunity to heat thing was correct! …almost. larry had tried to stop him, but it was fire and he was basically immune to heat, right? nope! his skin burned and boiled but he didn’t die as he tried to run across the burning bridge. even so, nothing hurt more than falling through one of the burnt planks and slamming onto the surface of the freezing cold rushing stream below. luckily the death was near immediate, but unfortunately he came to while in the water still, so he swallowed a sizeable amount of water before paramedics arrived. he hears the doctors find his survival miraculous, despite the scorching hot fever he was now under. he blacks out again, and comes to in the hospital, feeling absolutely terrible.

the horribleness feels familiar though, and when edgeworth walks in, he realises what it must be, when the man presses the back of his hand to his temple and quickly pulls his hand away as if burned. (oh. he thinks, tearing up despite himself. it must be the fever. i’m going to die like this again.) his internal monologue must’ve been external though, because edgeworth balks (‘again?!’). but phoenix was crying in hiccups and sobs, feeling terrible and like he was nine years old again, wishing his mother were there to nurse him back to health like she’d never done before. he faintly hears edgeworth sitting down on his bed and reaches out, gripping the mans waist like it was a lifeline. in a sense, it was. “don’t go.” he whispers, gripping the man tighter like he’d disappear into thin air (again). “please, please don’t go.” in his delirium, he nearly wails in despair when he feels edgeworth move, but he was only moving to readjust himself so he’s lying next to him, their bodies so close that it must burn, but the only sign edgeworth shows that he’s in pain is a wince and the crease of his brow. he allows himself to be cried on, curling a protective arm over phoenix’s burning body. “i- i dont know what’s going on, wright, but i’m not, i’m not going anywhere, okay?” he seems to be attempting exasperation, but it comes out terrified and concerned, but phoenix is fading quickly, so it might just be his waning mind making up things that don’t exist. “i am terrified. your body is life threateningly hot and— wright? wright!”

he comes to with nurses surrounding him, and a distressed edgeworth swearing on his life that that man was dead, his body was seizing and on fire and- and his heart stopped beating! but phoenix couldn’t dwell on it, because the mention of fire immediately brought him back to why he was in the hospital at all. and plus, it gave him the chance to use his best friends sensitive treatment of him afterwards to convince him to play defense attorney, so that was nice. still, he feels like he dies when he finds out dahlia had actually been iris and that godot was actually his dead mentors apparently not dead boyfriend. oh, and he was also a murderer. he also feels like he dies when dahlia- actual, serial killer and dead by execution dahlia, was exorcised from maya’s body. but that had more to do with his soul leaving his body in terror rather than actually dying, so that was a nice change of pace… probably.

later, he’d had to have a conversation with edgeworth to give him an explanation on just what the hell he’d witnessed in that hospital room. although, apparently his re-aliving symptoms must’ve started becoming more dramatic, because miles describes it as his whole body glowing as bright as the sun, and then his eyes opening for a moment to reveal nothing but white, glowing eyeballs with no irises. phoenix has to convince him to still board his flight the day after, that he was okay… probably. maybe not safe, but definitely okay. (still, edgeworth stays the night at his, and they hold eachother close, basking in the shared warmth of two alive bodies in heat equilibrium, listening to eachothers breathing and rhythmic heartbeats, no signs of impending mortality in sight, save for, what did the french call it? la petite morte? most of all, phoenix basks in the promise miles makes to him. “i’m not going anywhere,” he repeats, over and over like he was trying to convince himself as much as he was phoenix. “i’m not going anywhere, i promise.”)

and when he loses his badge, he thinks he really does die, permanent and definitively. he feels far away from his body when the forger is called to the witness stand. feels like a ghost when the council walks out the room and past him, making no eye contact and answering the unanswered question on the tip of his tongue. feels his life crumble to pieces when a blonde man with a pleasent, almost saintly smile gives him the most maddeningly sympathetic look and tells him he is sorry for his loss, as if there really was someone dead. only, the only one dead must’ve been him, because there was no one else there who had just lost their life. he couldn’t even hear himself as he laughed, which turned into sobs, as he excused himself and fleed to his bicycle. not one pedestrian bats an eye at the state he is in, so he must really be a ghost, cycling past speeding cars and large trucks and buses as if it couldn’t kill him, because he wasn’t there, he was already dead. when he reaches his office, freezing and quiet and dreadfully void of any human life, he passes by the window his boss had died at and sees his reflection, unkempt and red faced and badgeless. he wants to scream, but he couldn’t because no one would hear a ghost scream, so instead he just sits down in the spot his mentor had lost her life in, and mourns.

when two weeks later a warm, incredible alive life falls into his hands in the shape of a little girl with a too big tophat and a joy for being alive that he’d lost years ago, well, maybe he is glad that he couldn’t die for real, if only to be able to wake up to that beaming grin as his little girl tries to pull her daddy out of bed because she’d made breakfast, and it only smells burnt because of the magic something she’d added as a special ingredient. he eats it, char and all, because he can’t taste the burnt-ness of it anyway, but he could taste the love and care put into it, and that was more than enough to take his mind away readying himself for his next death. instead, he thinks of his daughter’s next performance at the wonder bar, and their next trip to kurain, and miles’ next visit. for once, he thinks of living.

[blue-mood-blue]

I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

[marzipanandminutiae]

people really watch/read that scene in Emma where she talks to Mr. Knightley about how he can say whatever he wants because he's never been a dependent, and doesn't know what it's like to "have tempers to manage" and say "wow that's so sad that this adult woman has to walk on eggshells to keep the people who control her life- specifically, a man, her father -happy, and thus keep her place in the household"

and then turn around and insist that it's women's job to keep men from trying to violently take our human rights away, by just being ~sweet and kind~ to them at all times